Small team.
Old stories.
New screens.

The same well, every time.

We've shipped 20 games to the domestic market and 12 internationally, and our films have been recognised at festivals from Cannes onward. The thread through all of it is the same: the myths of Mesopotamia and Persia, told for people who've never heard them.

Mehran's lion crest, Sepehr's island, the carved city of Petra — they come from stories our grandparents told. We build them so they can be walked through, fought in, and watched at ninety minutes a sitting.

“We wanted a sword that felt heavy and a city that felt old. Everything else followed from those two rules.”